• Polish stage
  • Theatre

PYGMALION

Mikita Iłynczyk,  Polski Theatre in Poznań

Dates

28.06.25 / Saturday, 20:00
wydarzenie archiwalne 2025

Dates

28.06.25 / Saturday, 20:00
wydarzenie archiwalne 2025

Duration

2 h 20 min.

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Language

english subtitles

Accessibility

  • The performance takes place on the Main Stage
  • The Main Stage is equipped with an induction loop

Accessibility of the venue -> Polish Theatre in Poznań

Tickets

Tickets available for purchase on the Polish Theatre in Poznań website.

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Following the sharp intuition of the original author, this performance explores social tensions and examines possible scenarios for the coming decades. The story moves into a near-future dystopia. The countries of the European Union have decided to deport all immigrants from the territory of the unified Europe. Persecutions erupt, crowded train stations evoke the darkest memories, and a climate of fear and distrust prevails.

As a form of protest, a certain well-off, intellectual, very liberal family from Poznań decides to go on strike and stop going to work. One day, they discover a migrant woman hiding in their basement. They decide to help her. But in order to save Elizavieta, they must not only teach her to speak Polish without an accent—they must turn her into a European, a Meta-Pole. A race against time begins, a desperate attempt to carve out a completely new identity.

The creators, remaining faithful to the structure of classical drama, reflect on the cyclical nature of history. They ask: are we trapped in an endless, repeating loop of events filled with generational traumas, national complexes, and xenophobic fears? Is it possible to break the cycle?

“Pygmalion” – the famous 1912 satire by George Bernard Shaw, which has seen 11 film adaptations, most notably the iconic 1964 American musical “My Fair Lady” – now appears on the stage of the Polish Theatre in Poznań. More than a hundred years after its premiere, “Pygmalion” continues to inspire new generations of artists who build original performances based on this classic play.

Following the sharp intuition of the original author, this production explores social tensions and considers potential scenarios for the coming decades. We are transported to a near, dystopian future. The countries of the European Union have decided to deport all immigrants from the territories of united Europe. Persecution follows, crowded train stations evoke the darkest memories, and an atmosphere of fear and mistrust prevails.

As an act of protest, an educated and highly liberal family from Poznań decides to go on strike and stop going to work. One day, they discover a migrant woman hiding in their basement. They decide to help her. But in order to save Elizavieta, it is not enough to teach her to speak Polish without an accent – they must also turn her into a European, a Meta-Polish woman. A race against time begins, along with an absurd, desperate attempt to carve out an entirely new identity.

The creators of the performance, remaining faithful to the structure of classical drama, reflect on the cyclical nature of history. They ask: Are we trapped in an endless, repeating loop of events, filled with generational traumas, national complexes, and xenophobic fears? Is it possible to break the cycle?

Though the performance speculates about the future, it is, in essence, a laboratory of the reality we already know. It closely observes the new sculpting processes in which we all participate – political, class-based, national, and cultural. Because questions such as: How can we live together in a new, diverse Poland? On what foundations and mythology do we build our statehood? And finally: Who has the right to call themselves Polish? – urgently need answers now.

Director: Mikita Ilyinčyk
Script: Andrzej Błażewicz, Mikita Ilyinčyk
Dramaturgy: Andrzej Błażewicz
Set design: Raman Tratsiuk
Costumes: Tasha Katsuba
Music: Krzysztof Kaliski
Lighting design: Siarhei Rylko
Video: Alexander Adamau
Stage manager: Magdalena Matusewicz

Alan Al-Murtatha – Wasyl
Piotr Kaźmierczak – Hubert
Aleksandra Samelczak – Kalina
Paweł Siwiak – Wojtek
Alona Szostak – Elizavieta
Ewa Szumska – Katarzyna
Kornelia Trawkowska – Agnieszka Brunhilda

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